Hope springs paternal.
REBECCA GIBNEY is full of Hope. She's at a peak of her career, is
personally ``very content, very happy", and has been playing a role that she
feels is closer to her than any other she has played.
She has been filming on a drought-ridden property just outside suburban
Brisbane and is yet to hear the disappointing news that Network Ten will not be
taking the drama into a series.
Hope is everywhere. The film has brought her closer to her ambitions in
production, it has gathered together a strong, impressive cast and crew, and it
has helped take her halfway around the world on a family pilgrimage.
``There's nothing like this," she says, wiping away the dust on location.
``Finding Hope is a return to good old-fashioned family drama, that real Aussie
drama in the outback. Put a vet in there with animals and what more can you ask?
``Someone asked me whether I thought it was regressive, a return to the
Flying Doctors era, but I said not at all. I've built a name as Jane Halifax in
18 wonderful telemovies, but I needed a change and this presented something so
diversely different from what I've been doing."
Finding Hope, which follows Liberty & Beyond Production's other outback
telemovie for Ten, The Love of Lionel's Life, is the story of Hope McIntyre's
return from Scotland with her family to the small and struggling Queensland town
of Box Tree. After 12 years' absence, she responds to a rare plea from her
taciturn father to come back and, temporarily at least, become the town's vet.
McIntyre is married to a successful Glasgow ship's architect and has three
children to care for. Persuading them to make that move is just the first of her
adventures.
The drama had been in development with the ABC as a potential series for
several years before Ten took it over. Writer-producer Tony Cavanaugh said that
the greatest appeal to co-producer Simone North, Gibney and himself had been the
chance to explore the family relationships.
``Our primary interest and love of the show resides in the family and in its
affirmation of marriage," Cavanaugh says.
``The thing we love about it is this couple who have been married for 12
years and are still romantically in love, the teenage stepkids and how that
dynamic works, and Hope's relationship with her distant, awkward father. The
stuff between Rebecca and Paul (Sonkkila, who plays Hope's father, Spencer) is
really powerful."
Cavanaugh is impressed with the maturity of Gibney's on-screen performance as
well as her influence on the set.
``On set, she is sensational, an anchor for everyone. She is incredibly
upbeat and positive. It makes the set, the production, a very upbeat, positive,
creative environment."
Paul Sonkkila, whose TV credits include Phoenix, Blue Murder, Good Guys Bad
Guys, The Feds and Wildside, believes Hope's enigmatic father typifies rural
Australia.
``Spencer is just what we've become," Sonkkila says. ``It's harsh, isn't it?
There's a lot of isolation, there's a weathering of the whole environment that
we've come to terms with. It's shown in Spencer."
Finding Hope, filmed on the Darling Downs and Glasgow as well as near
Brisbane, is directed by Geoffrey Nottage and enjoys a music track from onetime
Hunters & Collectors singer Mark Seymour. Its supporting cast includes Jane
Hall, Victoria Longley, Steve Vidler, Grant Bowler and Monica Maughan.
Gilbert ``Gus" Martin, the Scots actor cast as Hope's husband, Callum, has
been seen here in Rebus, Hamish Macbeth, Taggart and as the villainous swordsman
Will Guthrie in the movie Rob Roy. Martin, his actress wife, Julie, and their
17-month-old son, Nathan, would have moved here had the film become a series.
``I've had a ball and it's a pity I'm just not going to be seeing more of the
country," Martin says.
For Gibney, Finding Hope has offered familiarities. She played a vet in Zoo
Family, tasted the outback dust in The Flying Doctors. But there have been many
scripts since then. Halifax fp has provided an astonishing run, though she
admits there is a part of her that wonders about ``the use-by date for a leading
lady in her mid-30s". She can't see herself as an Angela Lansbury.
She was given the opportunity to ``associate produce" on the telemovie,
something she appreciated. ``If my use-by date ever does come up I do want to
start producing stuff of my own, too," she says.
Brian Courtis The Age
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